FRANZ WERTHMLLER PDF
Franz Werthmüller (composer ) – Play streams in full or download MP3 from Classical Archives (), the largest and best. Best Prices on Sheet Music for Solo Classical Guitar by Franz Werthmuller. Fast Shipping | Huge Selection | Educated Staff | Shop Strings By Mail Now!. There are 2 Franz Werthmüller recordings available. Select a specific Work or Popular Work below. or. See all 2 recordings.
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Joseph Fernando Macari Sor. Gramophone products and those of specially selected partners from the world of music.
Franz Werthmüller (composer) – Buy recordings | Presto Classical
Skip to main content. After a long voyage of rediscovery of nineteenth-century guitar repertory there are still worthwhile finds to be made; two are, to my knowledge, recorded here for the first time.
It is a recording that no guitar lover should be without, and the excellent sound comes as a bonus. Hoppstock opines that the substantial Haydnesque Sonata was originally a piano work and the technical demands of its outer movements lend force to that conclusion. Composition Artist Credits 12 Bagatelles. Heinrich August Marschner Composer. If you are a library, university or other organisation that would be interested werthml,er an institutional subscription to Gramophone please click fran for further information.
The all-time greats Read about the artists who changed the world of classical music. Gramophone’s expert reviews easier than ever before. Marschner is familiar as an important composer of romantic opera and the possessor of a fine voice; what is less well known is that his principal werthjller was the guitar, with which he enjoyed a successful career as a self-accompanied singer.
Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database. Joseph Fernando Macari Sor Composer.
Hoppstock is an exceptional player, with a fine sense of style and unfailing sensitivity, and a technician of the first water; his tone is refined and beautifully nuanced, his delivery is clean and sure even in the passages where the utmost dexterity is called for, and his command of varied articulation is admirable — the opening of the Study, Op. The six of 12 Bagatelles indicate that he had considerable skill with the guitar and within their eerthmller limits only one lasts for more than two minutes they have great charm.
Sor is no newcomer and the works recorded here break no fresh ground, but never have they enjoyed finer performances on the modern guitar.